Tuesday, January 06, 2009
Stacked Wood
Originally uploaded by ThomasOtt
I took this shot at a friend’s house and I’m amazed at how good it came out. I’m always surprised by the plethora of things to shoot, just in someone’s (or your) backyard.
Believe me, the grass isn’t always greener when it comes to photography.
I shot this with my Mamiya RZ using Ilford B&W film. I then got the film scanned and colorized it using the GIMP
Posted by Thomas on 01/06 at 09:11 AM
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Saturday, January 03, 2009
just like always..
Originally uploaded by fayle
Here’s another example of what I like in a photo. Strong vertical lines force the viewer’s eye into the depth of the photo where the sunlight waits.
The image is sharp and very moody. It makes me feel as if its early morning and the young child is the first one outside on the streets.
Posted by Thomas on 01/03 at 05:32 PM
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Go Game 010209-1
Below is one of Go games where I got my ass beat but it was a learning experience. I lost to white by 7.5 points by overplaying and not creating “live groups.“
Download SGF
Posted by Thomas on 01/03 at 02:51 PM
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The Game of Go
When I was visiting China this Winter, I came across a Chinese television program on Go strategy. What the heck is Go? It’s an ancient board game that originated in China over 3,000 year ago and is played the world over. The rules of the game are incredibly simple but playing the game is incredibly hard. I’ve been going nuts in the evening trying to win even one game against human and computer opponents.
As I take my losses, I’m slowly learning how to play this game through trial and error. What I really like about this game is its Zenlike philosophy. The philosophy is about creating voids on the board, also known as territories. These territories are essentially the Zen concept of nothingness and the goal is to a larger territory of nothingness than your opponent.
Its a maddening game that really sharpens the mind and I look forward to learning this game. Sure it takes time and effort, just like learning photography, but eventually the rewards are worth it.
Posted by Thomas on 01/03 at 08:35 AM
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Saturday, December 06, 2008
Pushing Boundaries
I’m leaving for China today and I’m really excited. It’s not my first time there but this time I packed something that I didn’t take with me before. This time I’ve packed my 35mm SLR and several rolls of film!
When I travel to China, Macau to be more exact, I’m usually visiting my extended family and in-laws. I usually don’t have the time to explore by myself because I wasn’t too familar with the area and my days were “organized” around shopping. Now that I’m been there a few times, and I have a good excuse (I want to take photos), I can roam around and explore to my hearts content.
I got truly excitied about this trip several weeks ago when I decided to take my SLR. Not because I’ll be making art photos, but because I’d be pushing my artistic boundaries into something I’ve never done before.
Travel photography!
Roaming around among droves of people while making photographs will stretch my creative boundaries for sure because things in China are so fast paced. I’m used to slow almost non-moving objects when making art photographs, so this will be a delightful test for me. I plan to develop my photographs there and have them automatically scanned onto a CD if possible. This will allow me to start posting a travel log here and help prep me for my next project that will start early in 2009!
Have a Happy Holiday and a Happy New Year!
Posted by Thomas on 12/06 at 07:42 AM
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Thursday, November 27, 2008
Serenity
This is what I mean about seeking the truth in a image. I’m referring to my previous post on Truth and Devotion in Photography and how the creative writing form of Haiku relates to Photography.
Photographer electrosmack1 was able to capture the truth in this image. Do you feel how it communicates instantly with the viewer?
This is what we should strive for as Photographers, an intimate and emotional relationship between the image and the viewer, instantly.
Posted by Thomas on 11/27 at 09:50 AM
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Sunday, November 23, 2008
Truth & Devotion in Photography
My wife and I make it a point to have “date” nights and we love to go bookstores on those very rare occasions. Of course, date nights only happen when we can get a baby sitter for the evening but when we do, we usually end up at our local Borders Bookstore. There we spend a few hours with a pile of books and magazines, drinking a cup of tea or coffee, and curling up in a corner somewhere. Last night, I curled up with the Haiku masterpiece, The Narrow Road to the Deep North and Other Travel Sketches by Matsuo Basho, and read something that resonated deeply within my creative soul.
I’ve always been a fan of Haiku, especially the old Japanese masters like Basho, Issa, or Bunson, because their three sentence 5-7-5 syllable prose evokes deep emotions inside me and transports me to a long forgotten time and place. In his book, Basho made two keen observations about Haiku and his writing that are deeply applicable to photography. He said that the essence of Haiku, and poetry for that matter, is to strip away everything in the prose and simply write the truth. This observation is about an artist’s external connection with the world and how he/she perceives it. Basho’s second observation is more about the internal nature of the artist when he writes that in order to be the best poet you can be, you must devote your entire life and time to it. What two wonderful observations I thought and great advice for photographers.
This bit of Zen like wisdom is something I’ve recently been contemplating when making my visual artwork and perhaps you should too. When photographing a subject, we should always strive to strip away all the extraneous “stuff” in our composition and photograph the “truth” of the subject. This is harder that you think and requires long and careful thought of your subject’s truthfulness, but the rewards are worth it. Lately, when I spend a lot of time thinking of my subject truthfulness the final image is often closer to what I saw in my mind. Interestingly enough, its those deeply contemplated images that seem to be more popular on Flickr and Photo.net, which means my art work has connected at deeper level with people.
Second, Basho believes that in order to be the best visual artist you can be, you should devote all our time and energy to it. This last bit of advice is easier said that done, especially if we create visual art on weekends or in the evenings after we finish our “day jobs.“ We typically have financially and time barriers and simply can’t devote all our entire time to photography, no matter how much we want to. So what can we do to implement Basho’s advice and grow as visual artists? Perhaps we can arrive at a Zen like compromise, if there is such a thing. Perhaps we can devote all our available free time to photography and work even harder at making the next piece of visual art and perhaps we can strive to become haiku photographers by seeking the truth in each image.
Posted by Thomas on 11/23 at 08:17 AM
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Thursday, November 20, 2008
Slowly coming alive
After rediscovering my creative photography life earlier this year (2008) and writing extensively for my successful Neural Market Trends blog, I’ve decided to create a new little space on the Blogosphere with Thomasott.net. From the desk of Thomas Ott is just a blog dedicated to my personal thoughts and essays on art, photography, expression, creativity, life, and family. I’ll try to refrain from politics and religion on this site, two art killing topics, but I can’t guarantee it! I welcome new and old readers to my site and look forward to writing about new creative endeavors. If you’ve come her from Flickr, be advised that I will migrate my photography work from there over the course of time and uploading my news images here first.
Posted by Thomas on 11/20 at 01:46 PM
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